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The Velvet Underground The Velvet Underground & Nico, Verve Records 1967
#The velvet underground venus in furs full
But getting that sound on vinyl proved to be a tough sell, even after the group recorded much of the album a full year before its actual release. Reed and bandmates John Cale, Sterling Morrison, and Maureen “Moe” Tucker had the patronage of Andy Warhol, whose “Pop Art” sensibilities were a perfect match for Reed’s caustic songwriting. The album modestly billed to the group, along with German actress, model, and singer Nico, had a tortured history before it hit the charts in March 1967. In a career that barely made a dent in the pop charts of the late 60’s, the Velvet Underground nonetheless became arguably the most influential band in alternative-rock history, and their songs still have the power to shock, amuse, and influence new and old fans alike to this day. to Joy Division and the Jesus and Mary Chain. It’s a great line, but there’s a kernel of truth: Lou Reed and his bandmates would help influence generations of great bands and artists who came in their wake, from David Bowie and R.E.M. The lore in this case is that the few people who bought The Velvet Underground & Nico, released this month 55 years ago, went on to start their own bands. Reed, of course, became a rock icon as a solo artist, but, the band's impact stands apart as a singular achievement, something which Haynes captures brilliantly.Nico on the back cover of The Velvet Underground and Nico (Images: UMe)Īs the saying goes, when you have to choose between printing the fact and the legend, print the legend.
It paints a vivid picture of the rise and premature fall of the group (Co-founder John Cale only appeared on the first two albums singer Nico only on their debut).
#The velvet underground venus in furs archive
The interview subjects range from John Waters to Warhol scenesters like Mary Woronov, to go along with the generous archive footage. They never sold many records at the time, but their influence was profound.
By hooking up with Andy Warhol and becoming his 'house band', the Velvet Underground not only got attention, but it also guaranteed that film and still photography would document their every move. He creatively makes the link between the avant-garde and the "underground" which sets the stage for the band to flourish.
#The velvet underground venus in furs movie
Haynes doesn't use narration but he builds his movie with ample footage from the time period. Todd Haynes' artful documentary on the pioneering art rock band fronted by Lou Reed and John Cale takes almost 40 minutes before Reed and Cale even meet. Footage from this reunion performance is included in this film. At around the same time as the official Velvet Underground were being reduced to Seswick's Doug Yule project, Lou Reed, John Cale and Nico had also been in Europe for a reunion performance in Paris in 1972, which was bootlegged and eventually released under the name Le Bataclan '72. It is typically considered a Velvets record in name only. It received terrible reviews, though it has gained some appreciators over the years. While Yule had been a significant creative force, albeit secondary to Lou Reed, on the celebrated Loaded album, Squeeze is much-maligned.
Yule himself was displeased at Seswick's control of the process. Recording the album as essentially a Doug Yule solo effort was at the instruction of manager Steve Seswick, who had earlier brought Yule to the band and had long pushed for the Velvets to adopt a more commercial style with Yule at its centre. All members bar Doug Yule were sent back to the United States in 1972 and Yule recorded all parts except the drums by Deep Purple's Ian Paice, saxophone by someone called Malcolm and some unidentified female backing vocals. A fifth studio album was released for a UK record label under the Velvet Underground name: 1973's Squeeze. This lineup toured the Loaded album around parts of North America and Europe in 1971. Moe Tucker also stayed with the band after her return from parental leave and they were joined by a new bassist and keyboardist. After Lou Reed and Sterling Morrison quit the band, it carried on for a time with Doug Yule becoming the frontman on vocals and guitar.
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